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Guardian:

As soon as you see the title of Iamus’s composition Transits – Into an Abyss, you know it’s going to be challenging, modernist stuff. The strings pile up discords, first spooky, now ominous. But if your tastes run to Bartók, Ligeti and Penderecki, you may like it. At least you have to admit this bloke knows what he’s doing.

But this bloke doesn’t know anything at all. Iamus is a computer program. Until the London Symphony Orchestra was handed the score, no human had intervened in preparing the music.




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