That’s the case laid out by Telegraph writer James Lachno, at least. It could also explain John Travolta’s comeback in the early ’90s!

Where a decade or so ago the success of New Yorkers The Strokes and British quartet The Libertines led young music fans to devour the visceral debuts released during 1977’s punk explosion – from Television to The Clash – the resurgence in hook-laden guitar-pop has led us back to Rumours.

My generation, meanwhile, can enjoy the album without any of the baggage. We weren’t born until a decade after it came out, and didn’t live through the punk tribalism of the late-Seventies that would have made it so uncool to be the fan of such a “safe” album.

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