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What’s most striking about this Hollywood tale is the contrast between the hype and Mr. Dudamel’s unmistakable gifts, those who know him say: his conducting talent and near-innocent but deeply compelling enthusiasm for making music.

“Deborah Borda’s rollout of Dudamel was as savvy as any studio mogul marketing a tent-pole movie,” said Mr. Kaplan, the director of the university’s Norman Lear Center, which looks at the impact of media and entertainment on society. “Plus, she had the advantage of what they call in Hollywood a good product. She didn’t have to put perfume on a stink bomb.”



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