Headlines
UPDATE:
CNN:
The U.S. Justice Department approved the merger between satellite radio companies Sirius and XM Monday, more than a year after the two companies first announced their deal.
In its decision, the Department of Justice had to determine whether an XM-Sirius merger was anti-competitive, or if other media companies such as Clear Channel (CCU, Fortune 500), CBS (CBS, Fortune 500), or even Apple (AAPL, Fortune 500) with its iTunes software and iPod music player served as alternate options for music and media customers.
The Federal Communications Commission must also approve the deal before it can officially be completed. The FCC has yet to make a decision on the deal.
As in other areas of media, the music industry is finally starting to come around to the difficult truth that we now live in a world in which consumers expect information and entertainment to be free. Efforts to sell music by subscription have mainly failed. (Yahoo recently gave up on its Music Unlimited subscription service and sent its customers to Rhapsody, another struggling music provider.) But traditional radio’s offer of free music surrounded by audio advertising is also being rejected by a generation that resents undesirable interruptions.
“They want to be the program director and they insist that the program be free,” says Jerry Del Colliano, a professor of music industry at the University of Southern California and a former executive at Top 40 WIBG in Philadelphia. “Young consumers don’t have that need that we older folks have to have someone knowledgeable about the music tell them what’s new. They have their social network to tell them what’s cool.”
With increasing evidence that many people suffer from iPod fatigue—they know too well what’s stored on their player and they crave surprise—several companies are trying to figure out what blend of user-generated content and expert guidance will attract an audience.
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2 Comments
It seems to me that the "older folks" that Jerry refers to are summarily being ignored by the music industry. Shocking, especially because we know that these folks are about a third of the population... they grew up on rock 'n roll and they are loyal, music investors, wielding approximately $1 trillion in disposable income. I'm not saying that younger audiences aren't valuable. It's just that there is so much value to be had among grown-ups and like Mr. Del Colliano alludes to, there is a need. I'd propose even that this audience could more or less save the album, maybe even radio if radio was willing to once again be human. Revolutionary idea, I know. The recipe is fairly easy: great music + a visceral connection to the music + curation = a win for everyone, both aesthetically as well as monetarily. But these three parts are essential when it comes to attracting an older audience... they won't stand for anything less.
is iPod fatigue caused by being too lazy to update the songs you put on your iPod?