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“To me, it wasn’t about the disco records being blown up,” White says. “It was everything leading up to it, which is what a lot of these pictures are.” It’s the kids themselves, “blue collar kids, kids whose parents were Sox fans. We were still churning out products in this town. You could still get a job at the steel mill.
“These kids wanted to be part of this experience,” she says. “They wanted to be part of something fun.”
Disco Demolition Day has never been forgotten—especially not by the music’s fans. And there’s actually a nice bookend to DDD. Primarily black Chicago producers never forgot it as they laid the foundation for a whole new genre of music a few years later called house. Note to Steve Dahl: It’s a lot easier to blow up a record than to make one to which people will dance. It’s also worth noting that the stadium was trashed again a month later at a Foghat/Beach Boys concert—which suggests that punters’ beef wasn’t so much with disco as with popular music or just being treated like cattle at stadiums.
The irony of course is that by 1979, disco as a musical form had already run its course, changed rock and proved immensely popular with white audiences. If I have any sympathies with DDD, it’s that disco eventually turned into a very silly marketing term attached to all kinds of bullshit, so it was easy for one to be ignorant of its roots. But rock’s embrace of disco wasn’t simply a matter of crass commercialism. Rock acts were hanging out in New York clubs and picking up the rhythms—and writing about downtown club culture’s polysexual and multi-racial social context. From Rod Stewart to punk rockers, disco had a dramatic effect on music from the ground up. Some still feel that disco actually produced some of the best music Queen and the Clash ever made—it forced those acts to challenge themselves rhythmically and turned on an audience that couldn’t take heavy doses of either’s guitar-driven bombast. The Talking Heads and New York’s arty punk scene would have gone nowhere without disco.

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I remember very well the DDD and I couldn't have been happier that day. My only regret is that I couldn't be there to help bury a completely worthless genre of music that had no business being "born" to begin with.
Disco was some of the most talentless crap to ever be put to vinyl and while some will secretly like it and publically diss it, I hated it from top to bottom and had no intention of ever even trying to like it - there was nothing of any merit or value to like about it.
True, disco was already on it's deathbed when DDD happened, but what a fitting way to put the shit to sleep once and for all - like pulling the plug on some serial killer - something that was necessary and very much needed at the time.
Disco sucks - always did and always will...
Cheers!